Getting out and pushing

brainlogoThe writing machine has run out of gas.  No words are pouring through the fingers to the keyboard, no stories are progressing.  So what do you do when you’re out of gas?  Get out and push.  And I’ve got a shove that will either gdet me going or get me run over by my own vehicle.

Several other writers have mentioned the flash fiction contest over at Brain Harvest.  I decided (yesterday) that I am going to write a new story and get into that contest by the deadline of…tomorrow.  How hard can it be to write a 750-word story in a day?  Ha!

It’s not so much about winning the contest, it’s about clearing the fuel lines so I can start producing again.  So far I am part wa through my first attempt, placing me at about 1500-words.  Yikes!  I had planned to write the story then go back through for heavy cutting, but I may have gone too far here.  It’s tough to put a unique twist on story’s from Strange Horizons’ dreaded cliche list in so few words.

So maybe I’ll wander back to the list and think a little more.  I will get this done.  I must.  Then I’ll repair a few other stories and get my submission list back up to snuff.  I don’t even have my WotF submission ready to go.  Not long ago I had a line of manuscripts ready for that envelope.  Time to be a writer again.  Otherwise, why am I here?

More evidence of my limited readership

I am excited to have discovered (here) that George R.R. Martin will be an instructor at Clarion SD next year.  Of course, I haven’t read his stuff.  Shameful, I know.  I have definitely heard of him, at least.  I do live under a rock, but not that big a rock.

My eye is out for more hints as to who will be at C-SD.  I am Eagerly collecting rumors, but this one is confirmed from the horse’s mouth.

Blogger/Writer reported missing; teacher assumes identity

Been missing me?  Wait, don’t answer that…I probably don’t want to know.  But I have been absent due to school starting back up.  I’m trying to hit stride but feel a step slow.  It’s been a jerky start to the 2009-10 school year.  I’ll get going soon and my postings will become semi-regular again.

I have much to talk about, so I’ll spread it over a few different posts.  What to say first?  I know…movies.

It has been a while since I watched two movies back to back and could call them both good films.  For one of these films, the “experts” agree with me; the other, I seem to be in the minority.

Yesterday I saw DISTRICT 9.  It was very good.  But more than that, it was unique.  It reminded me of something you might read in Analog or Asimov’s, the way the aliens were characterized as no more or less human than the humans while still very different.  It was, on the surface, a dark action movie full of all the government greed (here the role of government played by a corporation) and bloodlust the cinema has taught us to expect.  But that was the surface.  This was a movie about people (some human, some not) interacting under extreme circumstances.

The leading actor did an excellent job that was not at all diminished by being utterly unknown.  The CGI was superb to the level one would expect with the name Peter Jackson attached to it.  Some of the science may have been a bit hinky, but who cares?  It was a groundbreaking film that bridges a gap between SF film and literature.  Still a lot of action, but a lot of story here, too.  Go see it.  Eat lots of popcorn.  And you have my permission to laugh when people and/or parts of their bodies are turned to wet red mist.  It is funny in a morbid way, so yuck it up.

The critics seem to agree with me on D-9.  They rave about it almost as much as they panned the movie I watched on BluRay a few nights before.  That’s right, I watched PUSH and I loved it.

Don’t get me wrong, PUSH is not the groundbreaking accomplishment that DISTRICT 9 is.  In fact, PUSH is a fantasy film in sci-fi clothing.  Not just because psionics have been so widely frowned upon in science fiction circles, but because a Mover, a Watcher, a Pusher, a Shadow, a Sniffer, and a Shifter teaming up to take down a bunch of Bleeders and a powerful government entity (Division) is not so different from a Human a Dwarf, an Elf, a Wizard. and some Hobbits teaming up to take down a bunch or Orcs and a dark empire.  Fortunately, PUSH had a lot of what Tolkein brought to LotR, namely the sense that the story’s universe was much larger than the film could possibly encompass.  I had the distinct feeling that the film was based in an RPG universe, but agin that did as much to heighten my enjoyment of the movie as to dampen it.

The main character’s story was rich and (mostly) believable.  I’ve liked Chris Evans (lead actor) since I saw him in the first Fantastic Four movie.  The guy has charisma and can become a character (maybe not in a Heath Ledger kind of way, but that may be asking too much).  And Dakota Fanning was excellent in her role.  No other actor managed to damage the performances of these two leads, though few added much either.

I do think the film suffered a bit in the editing room.  Perhaps that was just my desire for a fuller picture of things.  I was engulfed in the world the way I seldom am, more so than even watching DISTRICT 9.  Was it art?  No.  Was it good SF?  definitely.

I must confess to having a quirky appreciation for some odd movies.  Consider the only three films I have owned on both VHS and DVD: Clerks, From Dusk Till Dawn, and Spawn.  (Yes, that Spawn.)  I’ll stand behind Clerks to the end.  From Dusk Till Dawnstarts with damn good storytelling and characterization only to turn their world on its head (as an encounter with vampires probably would).  And Spawn…even poor scrit, overacting, and silly special effects couldn’t stifle the cool images and some badass nostalgia.

Anyway, I suggest you see both DISTRICT 9 and PUSH and make your own judgements.  Neither is flawless but both are entertaining.  One will become a classic, the other a cult hit.  We will surely see a DISTRICT 10 sometime soon.  And PUSH 2?  Its worldwide gross and productions cost seem to be about equal, so I have my doubts.  Oh well.

CW 2010 reading begins!

I just finished reading Maureen McHugh’s story “Presence” in a Year’s Best anthology from 2001.  While her style was remeniscent of much SF I’ve read — the POV character was an engineer, etc. — I found the story didn’t really feel like science fiction.  This is assuredly a good thing.

The story hinges around a fictional treatment for Alzheimer’s, so it is definitely SF, but the story was about the protagonist’s struggle with her husband as the disease pulls him under and about how the treatment affects her relationship with him.  It’s a story about a person, about people, about relationships.  The science takes a backseat, but without the science there is no story.  At least not this one.

Can Ms. McHugh teach that?  Probably not, but she can encourage it, adjust students’ focus.  Either the research involved was immense or she had already lived through supporting an Alheimer’s patient.  Either way, the story was credible and realistic and emotional.  And a bit of a downer all the way through. If my next read is like that, I’ll have to switch to humor for a little while.

Clarion West 2010 Instructors

I just dropped by the Clarion West homepage and discovered the instructor lineup for next year:

  • Michael Bishop
  • Maureen McHugh
  • Nnedi Okorafor
  • Graham Joyce
  • Ellen Datlow
  • Ian McDonald

Confession time.  I look at these names and scratch my head.  I am familiar with Ellen Datlow by name but not by work (not generally a horror reader).

However, I found the same difficulty about ten months ago looking at the list of names for both Clarions.  I had no idea how sheltered I was.  I discovered John Kessel and am now a fan (I had unwittingly read him before).  I discovered Rudy Rucker and enjoyed his stories.  I discovered Robert Crais (C-SD) and loved the Elvis Cole novel I listened to (and I don’t usually enjoy straight mysteries).  I discovered I had already read and enjoyed several stories by Karen Joy Fowler.  I also have books and/or stories standing by from Kim Stanley Robinson, Elizabeth Bear, and Elizabeth Hand.  The instructors were a who’s-who of speculative fiction and I was a poorly-read wannabe.

Now I feel like a wannabe again.  Michael Bishop has been publishing and winning awards since before I was born.  (I need to do some research to see if I’ve read anything of his before.)  Maureen McHugh has been popping out short stories since I was in middle school; Graham Joyce, winning British Fiction Awards since I was in high school.  Nnedi Okorafor seems to be an up-and-coming author with YA experience and cites Donald Maass as one of her agents.  Ian McDonald has a list of awards that could choke a…well, whatever eats awards.

So my ignorance says nothing of the quality of the instructors for next year.  I intend to get started reading right away.  I bet I can find a McDonald novel at the Book Cellar and I bet I have some of Bishop’s stuff lying around the house if I look hard enough.  Others will require deeper exploration.

I will likely apply to both Clarions again next year, especially if the C-SD lineup is as promising as this one.  I’m hoping to see some of this year’s CW names show up there, but I’ll wait and see.  It will probably be a bit of a wait to find out that list.  (Insider information always appreciated.)

I also hope to see some familiar names from here show up on the student lists.