Snow waits for no man

Another couple days out of school (the today that is ending and the tomorrow about to begin, it being after 11PM and all).  How much writing have I clocked this week?  100 words?  Maybe 200?  Honestly the count may be negative since I’ve been removing cancerous cliches from my latest endeavor.

But I have some energy now and most of my best work comes in the wee hours (at least I believe that in those wee hours).  When I get done here, I intend to power through to the next good part and build some steam.  My afternoon/evening is still booked with some training tomorrow (free laptop, baby!) but morning and early afternoon are free enough to squeeze out some words whenever my daughter is reasonably distracted (which happened seldom today, so I have that much excuse).

I’ve been trolling Icerocket for other people’s comments on Clarion/Clarion West.  It’s interesting what I find.  Apparently Clarion is a computer language or something and I get mostly drivel about that, but what real hits I get run the gamut from “I’m pretty sure I’ll get in” to “is it even worth my effort”.  I fear I would likely fall on the arrogant side of this, though my close shave with CW last year is at least some sort of pedigree, as is my WotF finalist I used to apply (more on that below).  Still, I don’t feel confident at all.  I screwed up my application length — even the format — for CW.  I had to cut 500 words from my story to submit to Clarion, 500 words that were mostly character-building or fleshed out the milieu (a word I’m trying to use more often), so maybe I stripped the story of some of its strengths and/or charm…and it was still a nibble above the word count.  (As if that story could be called “charming” at all.)  And the second Clarion story was a bit experimental in form, only an HM from WotF, and really represented my abilities from years ago, when I wrote the first draft without the Multiple Sclerosis angle.

So no, I’m not certain I’ll make it.  If people have more reason to expect to make it than I have (they may have pro sales or better semi-pros, for instance), then more power to them and I hope I see you out west.  If they have less reason to think they’ll make it (I have no formal training, no pro sales or even especially braggable semi-pro sales, I type slow and read slower, and I went five pages over for my CW application, for goodness sake!), then there’s still reason to apply.  For instance, I know Clarion (SD) has a tiered rejection system.  (If it says you were close, you were.)  And you might just get in anyway!  It’s not a magazine, it’s a workshop.  They are looking as much at potential as they are skill.  A clever writer with an obvious flaw might be a better candidate than a pretty-good-all-around writer that doesn’t stand out anywhere.  What will that person do, increase his/her mediocrity?

This isn’t to say everyone should apply.  It’s not worth it to every Joe/Jane that wants to write.  Six weeks away from work often means quitting a job.  Six weeks away from a spouse/fiancee/boyfriend/girlfriend may mean coming home single.  Six weeks away from my daughter is going to be devastating.  If it happens, I’ll have at least one major breakdown.  It will happen.  Not to mention I’ll also be away from my wife.  And the financial cost…  How many Clarion writers actually recoup that money with writing sales?

But face it, Clarion is my American Idol.  If I can make it as a writer, this will help (not make, but help) it happen.  It will open doors whose keys I might never reach by other avenues.  So for me, it’s worth it…perhaps for the last time. Let’s just say that after 2010, I intend to have too much to leave behind for six weeks to be reasonable.  So this is my Clarion shot.  The darts are away.  I should find out where they land in the next four to six weeks.  (If anyone thinks six weeks isn’t long, send off the application and wait those six weeks to hear back.  It’s a freaking eternity!)

And I know Clarion is not the only path to Publishing Parnassus.  Writers of the Future seems to be a good train, and more evidence that four to six weeks can be interminible.  (Come on, judges, declare my victory/defeat and get on with it!)  Lots of people just keep submitting until that one sale happens.  Then it’s off to the snail races.  And if it’s not what but who, networking can be done at conventions, via blogs, through mutual friends (found at cons or blogs), or any other number of ways.  Success is out there, waiting for me.  Waiting for you.  Many roads lead ther; they all have their own toll booths.  Get your exact change ready and get driving.

Ouch…the agony of that last cliche metaphor is killing me.  Avenge me!

More rainbow

Another late night, another scene down, another thousand words (some probably cuttable if the story runs long).  At this rate I’ll have the first draft done by the end of the weekend.  Cranking out a story in a week is quite an accomplishment for me.  That’s why I need Clarion…

I know a little more about where the story is heading.  I need to get the characters to bond a bit, and maybe make the jeopardy a little more real than it is so far.  The next scene will likely start out boring and end up intense.  I’ll need to make that jump quickly, 300 words or so is my target.  We’ll see.

Off to bed.  Full day of school tomorrow.  Yay.  😛

End of the Rainbow

I’ll try to make this short since it’s midnight and I have school tomorrow.  We open late, but we’re scheduled to go.

My biggest paying sale to date (crosses fingers for WotF) was to Triangulation 2004, a semipro anthology put out by the PARSEC, a sci-fi organization out of Pittsburgh.  It was something like 84 bucks.  Woohoo.  Since then, Asimov’s has started saying very nice things about them.  (No, to my knowledge they never reviewed my issue.)  The theme for the 2004 issue was “Hard Port”, which wasn’t a stretch for my space fuel tanker story, “Chasers”.

This year’s anthology has the theme “End of the Rainbow”.  After a little dictionary and thesaurus time with the word “rainbow”, I came up with a story idea.  What’s more, I’ve now written almost a thousand words for the opening scene.  (I hope my other story doesn’t develop abandonment issues.)

Competition for the anthology is probably a lot stiffer than it used to be.  The theme used to be very loose, really just a carryover from their con-related fiction contest.  Now anthology and contest have different themes (contest theme: The Color of Silence) and the good press surely brings in lots of hopefuls.  Still, I’m inspired to give it a try.

The one reservation I have is, what do I do with the story if it doesn’t make it?  It won’t be right for WotF since the speculative element isn’t even hinted at until the bottom of page two and still hasn’t been expressed explicitly a thousand words in.  I guess I can make rounds at the regular zines, but I might have to strip the story of its rainbows so it won’t look like a failed anthology piece.  The rainbow connection will be a little tenuous despite it being the inspiration for the story.  But we’ll cross that bridge when we get to it.

I’m just happy t be working on a story that has some momentum.  I don’t expect this one to get long enough to bog down.  And I have an outline.  Anyway, I’m off to bed to dream of sci-fi rainbows and unruly math students.

[I’ll add some links tomorrow]

Bad story. No soup for you.

I am in a very bad place with my current story.  I get the feeling it’s a place I never should have ended up.  It’s a slow place.  I’ve writtem and rewritten this place at least five times and it’s still not working for me.  I need to check my story notes (I think I have some…somewhere) to see exactly what direction it’s supposed to be going.

My most recent attempt employs the age-old advice to use narrative summary to push through the boring parts.  It’s time to put in the plot twist that drives most of the drama.  I also have a fear that I’ll need to cut half of what I’ve already written.  *sigh*

This one will probably take some time to work through.  Wish me luck.

New personal record!

Not a record I’m thrilled with, by definition, but something I discovered while updating my submission tracking spreadsheet.  (I make sheets sorted chronologically, by title, by market, and by wait time…most of it copy and paste).

Anyway, I discovered that this WotF finalist is actually the longest I’ve ever waited for a short story response.  I waited almost a year to hear back on a novel…but that’s a way different issue.  It’s not like I’ve heard nothing over these 130 days, but I still don’t know if it sold and I can’t get it back out on the market until I hear.  Still, definitely worth the wait.

Just imagine if I’d sent it at the beginning of the quarter!

I still prefer long waits on possible sales to quick rejections.

Turnaround

Gotta love the turnaround at Clarkesworld magazine.  It took a massive two days for them to reject the story that put me on the CW waiting list last year.  Now I need to have an even quicker turnaround shipping it back out.

To Duotrope!

UPDATE: I’ve decided to try Lightspeed.  Won’t be ab easy score, but I need to really work the high price markets before looking lower, especially with this story.  I have faith in it.