Category: Writing

Treasures from the Book Cellar

~ Scott W. Baker ~ Leave a comment

I had a noon dentist appointment last week, so I took the whole day off from school. It left me with a lot of spare time that morning, something my two-year-old strives to eliminate from my days. But she was at the sitter this morning and I went out for some breakfast and to visit the local used bookstore.

The used bookstore is the only bookstore in the “city” I work in. There is a Books-A-Million in the next little city, about half an hour away and just as close to my house. I am a bibliophile (mild case, not life threatening) and can’t resist wondering among the orderly shelves and tables of a proper bookstore, doing much more looking than buying.

Then there’s the used bookstore. Tens of thousands of books on mish-mashed shelves, crammed together in only the vaguest resemblance of alphabetical order, sectioned wherever there was space for the category. It’s beautiful. This trip I wound up purchasing five books and four magazines, spending under fifteen bucks. No too shabby.

Primarily I was looking for books and stories from the instructors at this year’s Clarion and Clarion West, also keeping an eye out for other names of note. I stumbled across (the only way to find anything there) Kim Stanley Robinson’s Green Mars in trade paperback for two dollars. That’s right, two. It was in very good shape, after all, I was looking for stuff to read, not display. Alas, I had not yet read Red Mars and didn’t want to try to absorb things out of order. But Robinson is teaching in San Diego (Clarion west’s new home — no more Michigan) so I held on to it. I’m glad I did since I found Red mars in standard paperback in another group of shelves, $3.50.

Among the hardcover SF books I found an old library copy of Heinlein’s The Cat Who Walks Through Walls. Not renowned as his finest work, but I have heard the title pop up on occasion. Three quarters was all they asked for it. I just hope I can read it, the pages are brittle and falling out. If not, well I’m out the cost of a really bad cup of coffee. Heinlein is obviously not teaching any workshops this year, but he’s still Heinlein.

The most intriguing find was a book entitled Science Fiction: History, Science, Vision, copyrighted the year of my birth. It starts with a brief history of the genre in literature and a little from other mediums. Then it’s an overview of 1977 science, starting with the scientific method and touching on biology, astrophysics, etc. Next it looks into various areas sci-fi likes to visit that might not be quite so scientific: utopias, imaginary worlds, and the like. Finally it comments on ten representative novels. I have not read any more than the table of contents, but I am very curious about what the Oxford University Press had to say about these things over thirty years ago. I nothing else, there are story ideas hiding in these pages begging to be discovered.

The last book was one I actually sought out. My space opera story, “Leech Run,” just received honorable mention from Writers of the Future. A nice enough showing, but I wondered what winning stories looked like. So I sought out some WotF collections and found the book from 2005. I am currently reading one of the stories that won a quarter; I’m not terribly impressed yet. Maybe it has a strong ending.

My magazine purchases weren’t all that exciting. I sifted through a pile to find some recent issues of Analog, Asimov’s, and F&SF. It didn’t even occur to me to seek Clarion authors, but I still wound up with a story co-written by Rudy Rucker in an Asimov’s. I also lucked into a copy of Isaac Asimov’s classic story, “Nightfall” in an anniversary edition of the magazine he founded. It was a good haul on magazines I would love to be in but haven’t read in several years.

It is worth noting the overwhelming dominance of Star Trek novels at this store. Two full bookcases. I know some of them are well written, but I have no clue which ones. I am a fan of most of the different series, especially TNG, but I have never read a Trek novel. I may grab one next time if I can get an idea of a good one, but I’m a little weary at the thought of reading a book in such a thoroughly explored universe. I already know the characters for seven seasons and several movies. I just can’t get excited about reading stuff I am already full of.

This has not been a review of any of these books, really no more than an announcement of my purchase and the processes that led me to them. It was a good haul. I’ll need to wait another few months to let the store’s inventory change before returning. Fortunately, I think I have enough to read while I wait.

Writing Books

~ Scott W. Baker ~ 3 Comments

I wanted to run through a list of the top ten books I use/have used to learn to write. I have no formal training to write, never took a creative writing class, didn’t even take my comp classes in college (exempt by ACT score). I took the basic English classes in high school. A lot of what I know came from reading fiction, but I have used a fair number of books for writers to hone my craft and a lot of trial and error. So here they are in roughly the order they proved helpful (1 being helpful when I was a beginner, 10 being helpful today).

  1. How to Write Science Fiction & Fantasy (Card): This really helps put the genre in perspective.  I like to reread this one for inspiration, but it was priceless when I got started.  Anything by Card is fantastic.  (Need a good fiction read with great characters?  Try Ender’s Game.)
  2. Get through the slush pile.
    Get through the slush pile.
    The First Five Pages (Lukeman): So many of my stories had trouble getting started.  This book helped me figure out what to look for and how to fix it.  Lukeman’s follow-up book, The Plot Thickens, was far less useful to me, more a guide on how to build a story from the ground up.  It’s got its place, but First Five is an excellent guide to getting editors to read the story rather than skim and reject.
  3. The 38 Most Common Fiction Writing Mistakes (Bickham): I confess, when I first read this book, my stories were guilty of about ten.  It’s a good guide for training your eye what to look for when revising.  I still like to flip through the list every few months just to remind myself what to look for.  You don’t have to avoid every mistake, you just need to know when you break a rule.
  4. Harbrace College Handbook (Hodges): This is the collegiate bible for grammar and punctuation usage.  It doesn’t matter much what year your Harbrace was written since rules in fiction writing aren’t set in stone.  Again, it’s nice to know what convention is (or was) if you intend to break it.
    5. Find the best word.
    Find the best word.
  5. Flip Dictionary (Kipfer): It serves basically the same function as a Thesaurus but includes a lot of phrases and/or concepts related to a word.  For instance, you want to know what you call the referee in a baseball game.  You can look up either “referee” or “baseball” and get to “umpire”.  It’s also handy for finding words related to words related to something.  The “Flip” in the title refers more to how you’ll flip through the pages than having the definitions and words flipped around (although that description works, too).
  6. Self Editing for Fiction Writers (Browne & King): This is similar to 38…Mistakes but goes a lot deeper into the parts of the story, looking at larger pieces and more subtle adjustments like tone and voice.  The sections on dialogue are quite good, as is most of the advice in the book.  I reread this recently to fish out some of the concepts that might still be eluding me.
  7. Creating Short Fiction (Knight): Damon Knight knew what he was doing.  His knowledge has guided many writers to professionalism.  Not me yet, but it’s got me going a good direction.  This is an especially good book for dealing with writer’s block or with stories that just won’t come out right (consult Fred).  A lot of the information in this book is also in Kate Wilhelm’s Storyteller, which focusesa lot on the Clarion workshop, too.
  8. Writing the Breakout Novel (Maass): Eventually I had to ask myself why my stuff isn’t selling when I see a lot of junk out there that does.  I came up with two reasons: connections and X-factor.  I have found no book for establishing connections, but this book tries to take some of the mystery out of the X-factor that can make even schlock sell.  Maass, a big time literary agent, makes that X-factor something you can plan and work toward.  It’s still hard to know if I’ve got it, but it gets you moving that way.  (I think I’m around the V-factor right now.)
  9. charviewElements of Writing Fiction Series (Card, Kress, Noble, Bickham, and others): I cheated a bit here.  I had trouble selecting one book from this series, so I put the whole thing.  I found Character and Viewpoint very useful early on while Beginnings, Middles, and Ends was a bit more advanced and Plot fell pretty well in the middle.  Each book in the series was good, though Description was a little to poetic for my taste.
  10. Paragons (Wilson, ed.): This is a book of short stories by masters, each story followed by an essay by the author regarding how they achieved whatever the story was renowned for (characters, plot, tone, etc.)  I have had this book a long time and have not yet begun to use it effectively.  It was published as a masterclass to follow Clarion.  There’s a lot of skill and subtlety outlined in this book and I intend to read through it again as soon as I remember to bring it home from school.

There are a lot of other books I have used.  Many of them repeat the same information that the above books spell out better.  Some just plain sucked.  It is worth noting that I have never used or read The Elements of Style (Strunk and White) which is a renowned tool for all writers.  I think it does a lot of what I use Harbrace for.  The bottom line for me is whichever books are readable and offer advice that improves your writing (directly or indirectly) is a good book.  I hope this list might help some beginners (and non-beginners) find resources improve their craft and might inspire some discussion on other books I might have missed.

-Oso

Ouch.

~ Scott W. Baker ~ Leave a comment

I just received an email from Andromeda Spaceways Inflight Magazine (a respected semi-pro magazine in Australia) regarding “Leech Run”. It took them an impressively swift five days to reject it. Most zines don’t even see a submission for a couple weeks. ASIM does good work and has a fairly transparent review process with three rounds of reading. I made it past level one but got axed in level two. American Idol fans, that’s like going home the first night of Hollywood week.

Now I need to find a new market for “Leech Run”. I’m afraid I exhausted some good candidates prior to a major rewrite. I probably could send it back to Fantasy & Science Fiction, but it is considered bad form to send a rewrite to an editor who did not request one. So I may try The Leading Edge or…I don’t know, someone else. There is a bit of a limited market for short space opera. Novels? They seem to fly off the shelves.

Today I attended a teacher inservice about poverty, mostly an emphasis on differences between middle-class and lower-class students (and parents’) perceptions of and responses to things. There were some good insights there that I would love to use in a story, particularly how money is spent. I’m already forgetting a lot of it and don’t have a story or character yet. I guess I’m waiting for another idea that can piggyback with this one to make a story.

I’ve worked the last couple days on a piece for middle-grades kids (not to be confused with middle-class kids…I mean 5th to 8th graders). It needs some serious editing, but I got the first draft onto the screen in record time. Now to hack away 20-30% of the length so I can expose the real story and maybe then add a little back for aesthetics.

Hmm, it’s late and I’m yawning up a storm. I’ll ramble more when I have more to say on more sleep. Thanks for reading.

-Oso

Greetings to all my fans: past, present, and especially future.

~ Scott W. Baker ~ 1 Comment

…and then, against all odds, something crawled out of the primordial internet and became Oso’s Blog.

If you found your way here without knowing who I am, good for you.  I currently publish under the name Scott W. Baker.  That being my actual name, it seemed a good choice.  I am toying with the idea of publishing under a nom de plume, or maybe even a pen name, but as yet I am not convinced this would be wise.  For instance, how would the dozens of people who have read my previous stories connect my past works to my current and future works?  If I did adopt a pseudomymn, I have pretty well decided it should be Oso Baker.  It’s a nice combination between my real name and my internet identity.

I guess my first post here should explain the origins of “Oso Muerte” in their entirety.  As so many nerdy nicknames do, it started with a character in a role playing game.  I wanted something tough, but my friends decided the character class I had selected resembled a dead bear.  Being that my character was supposed to be South American, I named him “Dead Bear” in Spanish.  Rather I tried to — it came out Oso Muerte: “bear death”.  Anyway, the character was fun and resembled me in more ways than anyone cares to hear, so the nickname stuck to me, at least with that very specific clique.  Seeing as no one else was absurd enough to use such a name, it became my go-to username for anything online.  Try Googling it, see if anything other than me comes up.  You’ll get my Amazon profile, maybe my MySpace page, maybe a few pages in Spanish about endangered ursines.

Still, the name comes across too Spanish for a pen name, especially considering my considerable ignorance of Spanish or Hispanic cultures.

I have maintained a blog on MySpace for a short time, but that didn’t quite suit my needs.  So I am moving in here at WordPress, growing up and getting a place of my own in the http://www.  I may move those old blog posts over to catch people up on the dizzying pace of my writing career (currently composed mostly of waiting).  Until then, here’s a quick summary of what I’ve been up to:

CLARION!

Don’t get too excited, I am just in the application stage.  Actually I am past the application stage and into the clawing-my-eyes-out-while-I-wait-to-hear-something stage.  But currently my Clarion applications are the foremost issues in my daily writer-life.

For those who do not know, Clarion is THE workshop for budding speculative fiction writers.  It’s a six-week bootcamp taught by five professional writers and one editor, usually award winners and often workshop  graduates themselves.  All other big-time workshops are built off its model.  I have applied to both the American incarnations of Clarion: Clarion West and plain old Clarion (often called Clarion East despite its recent transplant to San Diego).  There are other workshops — Odyssey, Viable Paradise, Orson Scott Card’s Literary Boot Camp — but I can’t bring myself to take serious time away from my wife and two-year-old daughter unless I truly believed the workshop could kick start my career.  Not every Clarionite becomes a pro, but their track record is exceptional.

The story I submitted to Clarion West just earned an Honorable Mention from L. Ron Hubbard’s “Writers of the Future” contest.  A higher placing would have inspired more confidence, but HM tells me I did something right.  A simple rejection from the contest would have discouraged my hopes of attending Clarion.  Still, there are no guarantees until there are guarantees.

I submitted that same story (entitled “Leech Run”) to Clarion East as well as a more recent work (“Glow Baby”), which was inspired by my daughter’s night light.  Both stories were between five and six thousand words, though one was Firefly-esque space opera and the other is more SF invading modern life.  Both these stories are making the rounds through different markets, though I may let “Glow Baby” take a pass at the Writers of the Future contest, too.

As soon as I hear anything about either workshop, I’ll be sure to post the outcome here.  Well, maybe not right away.  First I will have to hyperventilate, tell my wife, dance around the room, call my mother, cry a little, and then I can post here.  Bad news will simply post without fanfare.

I am not basing my career on acceptance or rejection from Clarion (or CW).  I will write come workshop or high water.  But man, I could use the kick in the keyboard these workshops represent.

This blog will not be all about Clarion.  It may not all be about writing or SF, either.  It’s a blog and I’ll throw you whatever scurries though my odd little head.  Right now my head is full of Clarion.  (It has been accused of less savory fillings.)  Come back to see what other stuff I might say.

-Oso