My Latest Discoveries – Writing Excuses and WikidPad

I’ve listened to Mur Lafferty on I Should Be Writing for years, so I’m not new to podcasts aimed at writers.  I had checked out a few others before, too.  So after meeting Brandon Sanderson at LibertyCon, I had to check out his podcast Writing Excuses

It’s not just Sanderson.  He casts with Dan Wells, cartoonist Howard Tayler, and Mary Robinette Kowal (apparently the latest addition).  I’ve been wearing out back episodes.  The chemistry among the podcasters is great, the advice is great, and the short length (fifteen minutes because…naw, I won’t steal their tagline.)  It’s been great fun to listen to and has me revved up to write, something I’ve been having trouble finding the focus to do of late.  If you haven’t listened to Writing Excuses, give it a try.  It’s worth it.

One of the Writing Excuses topics was Story Bibles.  It’s something I’m bad at organizing, so I gave it a listen and discovered…WikidPad.  Let the world building addiction begin! 

Ooh, this is a sweet little program.  Not that it’s anything fancy.  It’s a notepad program that automatically links sub-documents together if you type a mix of caps and lowercase (MixCaps) or put the word in [brackets].  Very easy learning curve and you can feel the world growing every time you create a new link.  I pulled out my notes on an IP some friends and I had tried to start up and it really put some perspective on what we had and what we didn’t.  I’m loving it.  Thank you, Writing Excuses.

New podcast, new world building toy…I just need to remember that these are not prizes in and of themselves; they are supposed to get me writing again.  That said, here I go…

The Con that keeps on Giving

I recently — maybe not so recently — posted my LibertyCon schedule.  Well, it’s growing.

First, they added the Opening Ceremonies (Friday, 5 pm) to my personal schedule.  Okay, I get that.  I am an “also attending” guest so it would be nice to wave to the crowd.  I can do that.

Then they seem to have added a couple autograph sessions (Friday at 6 pm, Saturday at 4 pm Sunday at 1 pm).  I don’t expect much of a line, but it makes sense to have a time when people can expect to find me.  It might make more sense if I didn’t have a panel (Research) conflicting with that Saturday @ 4, but whatever.  Now tht they fixed the timimg of my second autograph session, everything should work out swell. Should. I can go with the flow.

Finally, I have another panel.  And this is one I can definitely contribute to: Whimsy and Satire in SF&F (Saturday at 6 pm).  Whimsy.  That’s what the W in my name stands for.  (Really?  Maybe.)  And it’s currently a panel of 3, so I’ll have plenty of talk time to say something funny.  My typical record is 1 out of every 10 jokes is funny.  That’s why comedy is so hard.

Whew, it’s going to be a busy con.  I need to find some time to buy beers for pros, too.  I can’t wait.

OmniCon 2012, Cookeville

Top ten reasons to go all the way to Cookeville, TN for a little convention called OmniCon 2012:

10) Admission is only about 10 bucks.

9) Cosplay.  If you know what that is, you’ll probably want to go.  If you don’t know, you should go to find out.

8) The Bradford Pears are blooming, so Tennessee Tech campus should be gorgeous.

7) Voice Actors.  The featured guest Jason C. Miller and the special guest Lauren Landa are both voice actors (among other talents).  There’s a good chance you’ve heard them somewhere before.  If voice acting seems interesting (and who doesn’t want to get paid to come to work in pajamas and talk into a microphone), this could be your opportunity to learn more.Voice Actors.  The featured guest and the special guest are both voice actors (among other talents).  There’s a good chance you’ve heard them somewhere before.  If voice acting seems interesting (and who doesn’t want to get paid to come to work in pajamas and talk into a microphone), this could be your opportunity to learn more.

6) Spankies for lunch.  I made sure my Saturday schedule allowed me to get my garlic bread fix and a Reuben.  And…maybe a beer?  The best in campus dining just a short walk from the University Center (where the con is held).

5) Bands.  Do I know these bands?  No, but they are definitely bands.

4) No booze in the University Center.  Wait, weren’t these supposed to be reasons I SHOULD go?  Yes.  The 21+ crowd can still partake at local bars like Spankies (see #7 above), but the underage bunch and a lot of other people don’t need to be exposed to it, do they?  Do the ladies deserve to have some drunken oaf slobbering on them all weekend?  Of course they don’t.  OmniCon is a reasonable place for people of all ages to come and share their love of science fiction, fantasy, horror, paranormal, gaming, etc.

3) The panels.  History of Zombies, My Little Pony, NaNoWriMo, Finding Bigfoot, So You Want to Be a Ghost Hunter, Learning Japanese from J-Pop Culture, LARPing 101, and lots more.  There’s a big Meet the Authors panel too that appears to be sufficiently unscripted to be quite amusing.

2) Small cons are more intimate than big cons.  Can you really get face time with anyone at DragonCon?  Heck no.  Besides, every viable connection I’ve made has come from small cons.

1) Isn’t it obvious?  ME!  I’ll be doing somewhere between 3 and six panels.  For sure there’s the Flash Fiction panel, the Beginning Writers panel, and the big Meet the Authors panel.  I will either participate in or attend the History of Zombies, Science in Fiction, and Colonizing Space panels.  And who’s more interesting (and humble) than me?

So come to OmniCon!  It’ll be fun.  And what better reason is there than that?

Experimental Writing

I went to an art museum today, the Frist Center in Nashville.  (You, Scott?  Really?)  Yes, really.  I went with some friends.  The main exhibit was nice.  Maybe I’ll write more on my impressions of that later on.  But there was also a secondary gallery, “Fairy Tales, Monsters, and Genetic Creativity”.  Now that sounded right up my alley.

It was…odd.  Some of the stuff was neat.  A lot of it was just weird and I didn’t get it.  Which brings me to the point: how do you know when a format that is great in your head works inside other people’s heads?

The story I just finished is written as a series of audio logs recorded by a guy who survives his space ship’s destruction.  In the beginning, the recording has a purpose and he has some recorded dialog with a shipmate.  Then his ship blows up and he’s got no one to talk to, so he just talks into the recorder. He ends up having two-way conversations with a satellite, but of course we only hear his side.

Sound tough to pull off?  It does to me.  I think it works, but I’m not sure.  I could just as easily (and more confidently) pull the story off with a 3rd person telling.  Why risk it?

I risk it because it (hopefully) makes the story memorable, unique, and brings the reader into the character’s situation more completely than a standard narrative, and in this story, sympathy is pretty much key.  The style just makes sense to me.

Messing around with narrative form is about as artsy as I usually get.  I don’t usually resort to bizarre imagery or creative dialect or subtle literary devices (all wonderful things, but not really what I do.)  Nor do I diverge from mainstream storytelling techniques often.  I like to play in this medium.

  • “ZFL” is 100% dialog, no attributions or anything. (Every Day Fiction)
  • “Leech Run” steps out of Titan’s PoV for only a few seconds in the entire story, but the scene refused to be written any other way.  (Zero Gravity anthology and Escape Pod)
  • S.R. alternates between first person perspective and an instant messenger style. (Perpetually unsold despite being what I consider one of my best.)
  • H.P. alternates between third person narrative and tweets. (Not sent out; needs new ending but I haven’t gotten back to it.)
  • The narrator in T.W.H.D.o.t.G.M.P. erases the fourth wall and talks directly to the reader for (allegedly) comedic effect.  (unsold)

Those are a few examples off the top of my head.  Nothing earth shattering, but a definite trend to tinker with delivery.  It’s good to experiment.  How else will you know what doesn’t work?

Writing on a deadline

Well I finally finished that steampunk story I’d been working on and sent it to the editor.  Why did it take so long?  Maybe because I’d never written steampunk before.  Maybe because there was a flaw in the story line (which has now been fixed).  Or maybe that’s just how I handle deadlines.  I sent the story on the day I was told it was needed.  I really couldn’t have sent it any earlier because the ink on the first draft was still wet (metaphorically speaking).  I did an oral read-though to catch technical issues, fixed a few bugs along the way, and sent it off.

Don’t get me wrong, this was as polished a story as I send out to any other market.  When it’s finished, you send it.  But why so close to the foul line?

At least I’ve now written on a deadline that wasn’t self-imposed, so I can do it.  That’s something.  And now I’m on another deadline, this one a space sci-fi story due at the end of this month.  I’ve been itching to write this one, probably because I needed to be working on the steampunk story so of course this one wouldn’t stay out of my head.  I’ve started it, getting a good 900+ words today, plus a full outline.  (You wrote an outline?)  Yes, I did.  Thank you, Scrivener!  I’m hoping to have this one done early, say this time next week.  It’s a shorter story, so it could happen.

I should mention that I violated one of the guidelines for accomplishing a deadline write.  “They” say you should write forward, push the story ahead so you have a story to edit later.  I tried and completely stalled out on it.  I had to go back to the beginning and read what I had to figure out why things weren’t working.  As it turned out, I forgot some key details and had to change a few others that weren’t working.  If the problem with a story is continuity-related, sometimes backtracking is useful for getting the story moving ahead again. 

History in other life roles suggests I can work well on a deadline, but right now my school schedule is a bit too confining to make that a regular reality for my writing.  But that doesn’t mean I’ll be turning down invitations with deadlines attached.  Keep ’em coming, editors!

 

 

It must be close to Clarion response time again

Welcome, all you twitchy Clarion and Clarion West candidates linking here while you fret over the opportunity to play writer for six weeks.  I know what you’re going through.  I’ve been there.  And from the statistics of which posts are getting the most reads, you’re all doing the same thing I did to cope with the stress of waiting: seeking out every tidbit about the workshop you can possible squeeze out of the internet.

Not a very effective stress management technique, is it? I think it just stressed me out more.  It’s like a drug; you feel a little better when you get some but it ultimately just makes you want more.  So here are my healthier strategies for dealing with the wait for Clarion responses.

  • Write something brand new.  Start a story today with the intention of finishing it before you get that phone call (or heaven forbid, that email…or is everything conducted by email now?).  You’re a writer so you can do it.  It might be worth while to make this something outside your strong suit to brush up some skills.  That way, in or out, you have a new story to market when you’re done.
  • Make sure everything you’ve ever written is in a slush pile somewhere.  You have been sending your stuff out, right?  If you’re in, you want to be able talk about your latest sales.  If you’re out, you want to be able to take comfort in the sales you make.  You can’t do either with those stories sitting in a drawer.  Even stuff you already sold can be subbed to reprint markets.  I’ve sold 3 reprints recently and I’m not exactly the hottest selling author on the planet.  I might not be the hottest seller in my hometown.  Get that stuff out there!  And if you’re like me, it takes an hour or so to choose a market, prep the story for specific guidelines, and get the thing sent (snail or electronic).  If you have any backlog at all, this can make a great distraction.
  • Spend some quality time with the people you’ll miss if you go.  Six weeks is a long time and someone (spouse, child, boy/girlfriend, mother, dog…) will miss you terribly while you’re writing your summer away.  Go to the zoo.  Okay, the zoo might be cold this time of year, maybe even closed, but…do something worth remembering.  They deserve it.
  • Read stuff by the instructors.  I’m not particularly well-read so I had to do some research to know who these people were.  Beyond their Wikipedia page, I also wanted a taste of their writing.  Wow, some of it blew me away the years I was applying.  And do you CW applicants really need an excuse to read some George R.R. Martin?  Or do you San Diego hopefuls think you could possibly have read all of Ted Chiang’s great short stories?  Go read.

I tried all these things while I was waiting on that Clarion Call.  Ultimately they helped, but I still trolled the internet for every possible “Clarion” reference Google or IceRocket could cough up.  That reply will come.

For what it’s worth, acceptance never came for me.  Waitlisted once, but never attended.  (Placing in Writers of the Future softened the blow.)  I can tell you that my career isn’t exactly on the fast track, but I’m doing all right.  Rejection isn’t the end.  So good luck (that’s a big part of it, luck) and don’t give up.

Oh, and you can check out my Workshop page.  If you find any dead links there, let me know.

The Post-Con Hangover

I might have consumed a few beers this weekend at ChattaCon, but that’s not the kind of hangover I’m talking about.  The return to reality bears a pain and drudgery no amount of hydration or aspirin can combat.  Life moves on after a Con, whether we’re ready for it or not.

I have a mountain of work to do for school and here I am typing a blog entry.  The thought of real work is so painful, though.  Why can’t my work be hobnobbing and talking on panels and browsing dealer rooms?  Well for one, that’s not work.  None of those things pay the bills.  Writing might one day pay some bills, but being at a con isn’t particularly conducive to writing, either.  Reality comes for us all.  Here are some tips for how to survive the painful transition between the con and the real world.

  1. Catch up with work before the con starts.  Coming back to a pile of tests that need grading or files that need updating or invoices that need invoicing just makes it that much harder to dive back into work.  Moving forward is easier.  I bet you took the time to get your costume ready or compile a stack of books that need autographing or to fine tune your Halo strategy; apply the same kid of effort to catching up the job-type-job and you’ll be a happy worker Monday morning.  Well, happier.  (No, I did not do this.)
  2. Go to bed early Sunday night.  As long as the commute isn’t standing in the way, get thee to a bed.  You’re probably sleep deprived and an extra hour or so will do you wonders.  Getting out of bed may still feel like pushing a rope, but it’ll be easier to get back up to speed.  (No, I didn’t do this, either.)
  3. Wake up earlier than usual Monday morning.  That sounds counter-intuitive, but the extra prep time will be useful as you stare at the showerhead and remember the cools pipes and nozzles on those steampunk costumes or you eat your oatmeal and wish you had one of those stale con-suite donuts to go with it.  (I’m 0 for 3.  This may just be a list of things I wish I had done.)
  4. Buy a souvenir.  A tee shirt, a book, a costume component, a bauble…something to remind you of the con experience.  It makes the experience concrete and shows that you got something you wanted out.  Otherwise you’re likely to sit and pine over how you wasted the moment and want to go back and try again, like that time you didn’t kiss what’s-her-name.  Seriously, this can help.  Just don’t catch yourself staring into your dragon snow globe like some mesmerizing crystal ball trying to relive the con.  (Ooh, I did this one!  A Fireflly Venn diagram shirt.  Very nerdy.)
  5. Suck it up and get back to work.  That is a tip but also a directive to myself, right now.  Cons are great, but like any recreational drug, they should be used with caution.  (This was a metaphor.  Drugs are bad, m’kay.)

Now on to lesson plans.  😦  Wish me luck.

First con of the year

It’s probably not the first con in the nation or anything, but ChattaCon will be my first con of the year.  It was a fun little con last year where I made some friends.  They are having me back as an “Also Attending” guest.  Not sure what panels I’ll have, but we shall see.

Tis also the season for Codex‘s Weekend Warrior contest.  It’s really just an excuse to use my competitive spirit to reload my inventory with flash fiction stories, those being my best sellers.  Prompts appear on Friday evening and I have until Sunday evening to submit my story.  This was the first weekend and the story I produced is…I’m predicting top third of the pack, though it’ll be hard to tell since the pack is allegedly numbering in the forties this time around.  But it’s not really about the voting results; it’s about the feedback and having stories to send out.  I have my reading cut out for me this week if I have 40+ stories to read and rate and comment on.  Thank goodness none will be over 750 words!

My new school schedule is giving me a reality kick in the cajones.  Three different classes that are just similar enough to confuse me.  More prep time this semester than last, that’s for sure.  That means less writing time.  Oh please, weather, be good in 11 days so I can get to ChattaCon.  After that, snow school out all you want.

I am a 2011 Cliche

I was just checking out my New Year’s resolutions list from last year.  Resolutions made: 5; resolutions kept: 0

What’s worse, they all seem like good resolutions for this year, too.  So we’ll take it from the top.

1) Lose a pond a week.

2) Write 100 words a day.

3) Read more often. This s actually a deviation from last year, which targeted one novel and two shorts a month.  Instead I’m making this a quadrupleresolution:

  • Finish reading all my partially-read novels.  That’s Steven Savile’s Silver, John Scalzi’s Old Man’s War, and…a couple others I can’t currently recall.  These are not books I’ve abandoned, just ones I set aside to finish later.
  • Read 4 new novels this year.  Not a lot, but a realistic target.  I think I finished 4 last year.
  • Read short stories weekly.  Maybe each Monday I’ll target some short fiction to read.  It can even be flash, but I need to read in the field.
  • Read the Bible every day.  I have an Every Day Bible to help me accomplish this.  I want to read the whole thing in a year.  I’m a Catholic with some pretty stout beliefs (not all of them 100% Catholic-y), but I’ve never made any concerted effort to read the Bible cover to cover.  This year, it’s on.

4) Exercise twice a week.

5) Get organized.

Five good ones.  Let’s see if I can keep at least one this time around.