Life Update

It’s been quite a while since I posted anything here.  I didn’t even do a ChattaCon report.  I meant to, but life has been…complicated.  I’ve been able to do no blogging and next to no writing since then.  I’m sure the whole experience will make me a better writer in the future by filling the emotion tanks with fodder, but wow it’s tough to fill them.

I filed for divorce last month.  It will be almost summer before it’s legally finalized, but that’s just semantics.  I am closing on a house for me and my daughter (split time between parents) and that has taken a lot of my focus.  It’s a sad and hopeful and exciting and scary time for me.

In other news, OmniCon is this weekend in Cookeville.  I didn’t see any advertisements for it until about 3 weeks ago, so I’m expecting a very small affair.  Could be fun, though.  It was last year.

That’s all for now, though I do need to post soon about my recent Doctor Who obsession.  I was quite late to the party and I’m only in season 3, but wow is it fun.  But later…

OmniCon Report

OmniCon was a lot of fun.  It started slow, only a few people attending the opening ceremonies and the first couple rounds of panels, but it picked up.  It wasn’t a huge con, under 300 people, but it was fun.

I enjoyed spending time with the writers there: Chris Berman, Bennie Grezlik, Gregg Overman, and Marina Sergeyeva.  I did panels with all of them.  Good folks with a lot of knowledge, all of them.  We had some fantastic discussions with crowds of varying sizes.  None were huge, but most were of comfortable size.  I heard more than one of them mention a desire to return next year.  I am inclined to share the desire.

The most popular panel of the weekend (which I was not a part of) was the “My Little Pony” panel.  I don’t get it.  A whole bunch of people were really into it, though.  Bronies?  Really?  To each their own, I guess.

The costume contest had a good number of participants with some good quality.  The vendors had some nice stuff — particularly the art — but nothing really for me.  Gaming?  Not in years and no one plays Rifts anymore anyway.  But this was a very nice homecoming for me.

I intend to help out with OmniCon 2013.  There was a lot to like about this year’s con, but I think it could be better and bigger next year, and I’m hoping I can contribute to that.

Resources for Beginning Writers

I am doing a panel at OmniCon for beginning writers.  I still feel like one myself sometimes.  Early in my career, I made use of a lot of different books and other resources.  Here’s a list of some that I still find incredibly valuable.

The Books

  1. How to Write Science Fiction & Fantasy (Card): It’s actually about time for me to reread this one.  I like to do so sometimes to remind myself just what the genre expects of me (and vice versa).  Orson Scott Card is a master in the field and does a great job communicating the ins and outs of sci-fi and fantasy.  A must read for all aspiring speculative fiction writers.
  2. The Elements of Style (Strunk and White): Okay, I confess; I’ve never read it.  Not once.  That doesn’t change the fact that it’s the armchair book of choice for basic grammatical technique.  If not EoS, then have something: The Chicago Manual of Style, Harbrace College Handbook, a recent grammar text.  I don’t care how good you are, you’ll need to look stuff up.  (If you never need to, you’re not varying your prose enough.)
  3. Elements of Writing Fiction Series (Card, Kress, Noble, Bickham, and others): I cheated a bit here.  I had trouble selecting one book from this series, so I put the whole thing.  I found Character and Viewpoint very useful early on while Beginnings, Middles, and Ends was a bit more advanced and Plot fell pretty well in the middle.  Each book in the series was good, though Description was a little to poetic for my taste.
  4. Creating Short Fiction (Knight): If you want to write (and sell) short fiction, this book is a must read.  Damon Knight was a master at short stories and taught a lot of people who also went on the be masterful.  Short stories aren’t book chapters or under-developed novels; they have their own tempos, their own expectations.  This book demonstrates the ins and outs of a widely overlooked medium.
  5. Writing the Breakout Novel (Maass):  This is a book by a literary agent about what literary agents need to see in novels.  Yes, this is a how-to book for writing novels.  No, it is not a step-by-step, paint-by-numbers method.  Maass helps you pick which idea in your head to develop (because, face it, you have dozens) and walks you through the necessities to have a novel that doesn’t just pop but erupts.
  6. The First Five Pages (Lukeman): Ever pick up a book in a bookstore and read a few pages to see if it’s worth anything?  You aren’t alone.If you want an editor/agent/reader to reach page six of your novel/story, you first need to get the job done on the first five pages.  (See what I did there?)  This book really helps get the all important beginning right so the rest of the work gets a chance.

The Links

  1. SFWA:  The Science Fiction & Fantasy Writers of America is the professional organization for speculative fiction writers.  No, you can’t join right out of the starting blocks.  You need to make 3 qualifying professional short fiction sales or one qualifying professional novel sale  to become a full member.  But its the resource link you should be familiar with, like Writer Beware.  Several of the other links here are SFWA pages.
  2. Workshops: From Critters to Clarion, there’s a workshop to benefit every writer at every level.  This links to my website’s workshop page with a lot of resources.  (Email me if you find any links outdated or broken.)
  3. Turkey City Lexicon: Funny name, invaluable terminology.  Infodump, squid on the mantelpiece, smeerps…whatever’s wrong (or right) with your story, it might already have a name.  Naming a thing makes it easier to identify.
  4. Standard Manuscript Format: You must know this.  You must use this.  To do otherwise is to mark yourself an amateur.
  5. Heinlein’s Rules of Writing: This is Beginning Writing 101.  I don’t follow all of these rules perfectly, but I know them.  You should, too.
  6. Duotrope: Okay, I wrote a story.  Where do I send it?  I use Duotrope to target markets, track submissions, and predict response times.
  7. I Should Be Writing: This podcast helps writers maintain sanity as they write and experience things like doubt, writer’s block, deadlines, etc.

That’s a Baker’s dozen to keep you busy.  But don’t forget to do some writing, too.  That’s what this is all about anyway, right?

 

A few flash fiction markets

I am doing a Flash Fiction panel at OmniCon, so I thought I should post some flash market links.  This list is by no means complete and does focus on genre fiction.  For a more thorough search, try duotrope.com.

Daily Science Fiction: (SF & F) They run flash (loosely defined) Monday through Thursday and a longer story on Friday o get you through the weekend.  And they pay 8 cents a word, good money for fiction, but it’s free to get the stories emailed to you and/or read them online.

Analog: (hard SF) Their “Probability Zero” section is flash fiction.

Beneath Ceaseless Skies: (F) A very well respected fantasy zine that buys flash.

Every Day Fiction: (SF/F/H) This is run by a friend of mine and has bought a few stories from me.  Low pay but a lot of readers.  Read it online for free.

Flash Fiction Online: (SF/F/H) All flash, all the time.

10Flash: (check issue themes) 10 themed flash stories per quarter.

Abyss & Apex: (SF & F) A well respected semi-pro zine that buys flash.

Untied Shoelaces of the Mind: (SF/F/H) Buys stories 2000-words or less.  They bought my Pied Piper/zombie story “Not Rats” for their anthology, so I wanted to include them.

There are lots more out there, and new ones seem to pop up regularly.

 

My OmniCon Schedule

Here’s the list of panels I’ll be on at OmniCon.  All panels last one hour, except “Meet the Authors” which is slated for an hour and a half because there are quite a few of us.

Sat Mar 17, 2012

  • 11am   Flash Fiction w/ Bennie Grezlik
    • Programming 1
  • 12pm  Lunch at Spankies (not a panel, but a must!)
  • 2pm   History of Zombies w/ Marina Sergeyeva
    • Programming 1
  • 3pm   Colonizing Space w/ Marina Sergeyeva, Chris Berman, & Gregg Overman
    • Programming 1
  • 5pm   Meet the Authors w/ all the author guests
    • Main Programming

Sun Mar 18, 2012

  • 12pm   Women Warriors w/ Chris Berman
    •  Programming 1
  • 3pm   Beginning Writers w/ Bennie Grezlik
    • Programming 1
  • 5pm   Science in Science Fiction w/ Gregg R. Overman & Bennie Grezlik
    • Programming 1

OmniCon 2012, Cookeville

Top ten reasons to go all the way to Cookeville, TN for a little convention called OmniCon 2012:

10) Admission is only about 10 bucks.

9) Cosplay.  If you know what that is, you’ll probably want to go.  If you don’t know, you should go to find out.

8) The Bradford Pears are blooming, so Tennessee Tech campus should be gorgeous.

7) Voice Actors.  The featured guest Jason C. Miller and the special guest Lauren Landa are both voice actors (among other talents).  There’s a good chance you’ve heard them somewhere before.  If voice acting seems interesting (and who doesn’t want to get paid to come to work in pajamas and talk into a microphone), this could be your opportunity to learn more.Voice Actors.  The featured guest and the special guest are both voice actors (among other talents).  There’s a good chance you’ve heard them somewhere before.  If voice acting seems interesting (and who doesn’t want to get paid to come to work in pajamas and talk into a microphone), this could be your opportunity to learn more.

6) Spankies for lunch.  I made sure my Saturday schedule allowed me to get my garlic bread fix and a Reuben.  And…maybe a beer?  The best in campus dining just a short walk from the University Center (where the con is held).

5) Bands.  Do I know these bands?  No, but they are definitely bands.

4) No booze in the University Center.  Wait, weren’t these supposed to be reasons I SHOULD go?  Yes.  The 21+ crowd can still partake at local bars like Spankies (see #7 above), but the underage bunch and a lot of other people don’t need to be exposed to it, do they?  Do the ladies deserve to have some drunken oaf slobbering on them all weekend?  Of course they don’t.  OmniCon is a reasonable place for people of all ages to come and share their love of science fiction, fantasy, horror, paranormal, gaming, etc.

3) The panels.  History of Zombies, My Little Pony, NaNoWriMo, Finding Bigfoot, So You Want to Be a Ghost Hunter, Learning Japanese from J-Pop Culture, LARPing 101, and lots more.  There’s a big Meet the Authors panel too that appears to be sufficiently unscripted to be quite amusing.

2) Small cons are more intimate than big cons.  Can you really get face time with anyone at DragonCon?  Heck no.  Besides, every viable connection I’ve made has come from small cons.

1) Isn’t it obvious?  ME!  I’ll be doing somewhere between 3 and six panels.  For sure there’s the Flash Fiction panel, the Beginning Writers panel, and the big Meet the Authors panel.  I will either participate in or attend the History of Zombies, Science in Fiction, and Colonizing Space panels.  And who’s more interesting (and humble) than me?

So come to OmniCon!  It’ll be fun.  And what better reason is there than that?