writing overtime

I’ve been working on a quaint little story the past few days (the Kree story is in time-out for bad behavior).  I won’t go into details on the plot, but I was trying to put the first draft to paper and kept getting stuck trying to finish it.  I knew I was close to an ending, but I just couldn’t find the angle of approach. I couldn’t even bear to look at it during my pergatory of a day at school.  I opened up my laptop tonight and realized…it was already done.

Don’t get me wrong (I say that a lot, don’t I), this is about as rough a rough draft as I’ve ever created.  The idea was still sketchy and my characters need better motivation and the setting is beige, but the essence of the story was complete.  It’s one of those stories without a satisfying ending; I knew that before I started writing it.  I just kept trying to trudge along into unnecessary summary.  Either the reader gets it (gets something out of it) or she doesn’t.

Fred (as Damon Knight called the subconscious) must have known when the story ended.  I just kept writing and deleting back to the exact same spot, the spot where one character walks out and the story ends.

Now the hard part: editing.  Writing can be tough, grueling, but it’s the creative side.  I made something out of nothing.  Now I need to make something good out of something raw.  This is the sculpting part, an art all its own.  It seems more satisfying when I edit.  I get the sense of doing something right, making something better.  It’s still tough.  Most things worth doing are.

This story, titled “Roshambo”,  comes in about 1800 words.  It may grow a little as I flesh out the setting, maybe put more character into the beats, but it’s still the shortest thing I’ve written (over drabble length) in quite a while.  I hope that’s a good thing.  We’ll see.

Glow Baby update

I got my rejection from Stange Horizons today.  I expected it from such a tough market.  49 days it took.  Not bad.

This TykeLight from MOBI inspired "Glow Baby".
This TykeLight from MOBI inspired "Glow Baby".

I want to squeeze “Glow Baby” in under the wire for the second quarter WotF contest.  I believe the deadline is Tuesday.  I’m trying to brush it up, maybe hint at the speculative portion earlier in the story than where it currently shows up on page four, solidify the ending.  I’m not sure how it will fare, this being a story for select tastes, moreso than “Leech Run” that pulled my first HM.

I’ll let everyone know if it gets out in time.  It should since it’s no more than a day worth of editing I need.  This was one of my submissions to Clarion SD (and we know how that went with the whole close-but-no-cigar response).  We’ll see.

On a related note, I am leaving “Leech Run” alone for a while.  I can’t remember if I declared that already or not.  Anyway, it’s the only story I subbed to CW and if by some miracle I end up there, it believe it will be critiqued.  I’d hate to spend a lot of time and energy fixing a story before subjecting it to that amount of feedback.  I have modified it a lot based on the comments from Baen’s Bar, but a whole scene needed reworking in the middle.  I plan to adjust it this summer, be it through CW advice (in some parallel universe) or on my own while CW is going on without me.

Okay, enough from me.  I have editing to do.

-Oso

My Clarion SD Fate

Finally.  It’s a no.  I’m a little surprised since I though my application was stronger for SD than for Seattle, where I was waitlisted.  But reviews are subjective and there are some definite weaknesses in “Leech Run” and “Glow Baby” starts out fairly slow.  So I understand.  I won’t sneeze at my waitlisting for CW.  Maybe a slot will open for me, maybe it won’t.

So now what?  I guess I’ll check the usual suspect websites for the fates of others to offer congratulations or share condolences.  Then it’s back to writing.  It’s about time to finish up drafting my Kree story so I can enter the much more scientific editing process.  I should probably resume work on a novel, probably my military clone novel (wipe that Star Wars image out of your mind) as it seems the most promising.  The workshops had me focused on short fiction for a while.

I’m thinking of applying for Uncle Orson’s Literary Boot Camp.  It’s just a week, but it’s like $750 without room or board.  

I’m definitely going to investigate the convention circuit, trying to hone in on the most writer-friendly.  If anyone can offer recommendations, I’d be glad to hear.  Closer is better, but I have family in Dallas (not at all close to my end of Tennessee).  

Assuming no spots open at CW (the assumption I must run with for my own sanity), I’ll at least consider applying next year.  Circumstances may prevent me, but ambition won’t.  Unless I make it big before 2010.  Ha!

Congratulations and good luck to those that were accepted into Clarion, East or West.  

-Oso

Finally saw Watchmen

209px-posterfeb1aI wanted to rush out opening weekend, but I’m too old for that kind of thing.  Me in a packed theater with a hundred people who could already tell you what they did wrong before the previews started…nope.  Mostly because I couldn’t get a sitter.

Let me preface my opinions with the fact that I have never read the graphic novel.  I have only read blurb comments from other reviewers.  This is 99% my own unbiased theatrical experience.

It was awesome.

This film will stay logged as an example of character development.  Heroes always have dark pasts, but the differences in how they deal with the darkness is stunning.  I will try to stay spoiler-free, so if I reveal something, it’s because it happens early.  Like the Comedian’s death.  It was a stroke of brilliance on someone’s part that a character that dies in the opening sequence can be as vile as you can make him without havng to worry about lost sympathy.  No matter how much I disliked him, I didn’t have to worry about his comeuppance; it already happened.  And his jaded, villainous character was still unquestionably a hero.  The casting for him was excellent.

In fact, all the casting was great.  Ozymandias may have been a little on the model side, but it kind of worked.  The nerdy Nite Owl, the too sexy to be that naked Silk Spectre…but Rorschach stole the show for me.  Hard core to the verge of evil yet held fast to a very personal code.  The subtle elements (like Nite Owl’s problem with…wait, no spoilers) were nicely worked in and believable.

Let’s not forget Dr. Manhattan.  I told my wife I was going to shave my body and paint myself blue for Halloween.  She laughed.  Apparently I lack his physique.  It’s good to know, however, that if I am atomized in some nuclear experiment and come back glowing blue, at least I will be anatomically correct.  No Ken dolls here.  Anyway, his character was interesting in his alienness, especially the struggle to maintain humanity.  I think that could have been done better (read: more subtly), but it was pretty good as it was.  He maintains concern (at least feigned) for humanity while losing his ability to connect with anyone human-to-human.  No more on that, but again, this is all setup, not major storyline developments.

The film’s execution was fantastic, a little CGI heavy at moments, moments that really called attention to the moments of CGI-free action.  In otherwords, I felt a couple soundstages looked like soundstages (burning building) while other scenes looked like screensavers (that big thing of Manhattan’s).  But 90% of the film maintained a good balance.  The shots that were ripped straight from comic art were excellent.

I can’t talk about the movie without talking about what caught me most off guard: the sex.  Nite owl gets naked (with a glimpse of everything), Silk Spectre gets naked (thank you for that), Dr. Manhattan is usually naked, and there are some other moments more Desperate Houswives than they are HBO.  As my wife put it, “I didn’t expect that much naked.  It wasn’t all just gratuitous flesh; the scenes were plot-line appropriate and tastefully done (except for the one that wasn’t supposed to be tasteful).  My wife and I both approved.  She also approved of the taste of reality the women’s bodies had (faces had wrinkles, breasts were not plastic, etc.).  All in all, a nice tablespoon of sex to go with the plateful of violence.

There were images that were quite graphic (violence side here, we stopped talking about sex; keep up).  Blades, broken bones, doge, innards…but nothing so grotesque as to churn my notoriously weak stomach.  I cringed but never cowered.  I probably have a higher threshold for violence in my cinema than many people, but my threshold for gore is at or below population average.  Still, some harsh situations (Rorschach’s backstory, Comedian and Jupiter).  I get worse feelings watching 24 on FOX.

To sum up, it was an excellent movie for those that likedark and gritty in their superhero stories.  It’s got great character development, varied characters, a much more complete story than 300, more grit than any X-men movie ever will, the right dose of sex for audiences that believe such exists, and no big name actors to pack the seats.  That’s right, none.  Malin Akerman (Silk Spectre) will probably make it big off of this and Jackie Earle Haley’s notoriety should spike (Rorschach), as should Jeffrey Dean Morgan’s (Comedian or Denny on Grey’s Anatomy).  Those are my predictions.  I also expected Lord of the Rings to make a box office draw out of Viggo Mortenson…so consider my track record.

That’s all for now.  I may break it down a bit more in the future, say when the BluRay comes out.  So much more to say but I don’t want to spoil it.  Especially you writers out there, watch this film.  It’s good.

-Oso

Bad Speculative Fiction

You know you’ve read some.  It may have been a big shot who sells millions or some guy that got into a magazine because the editor was experimenting with herbology, but bad sf/f/h is out there making big bucks.  I haven’t decided what I think about that.

On the one hand, I am very unhappy that some jerk out there cashed a check with mutiple zeros when I know I have stories — novels even — that are much better.  Why him (or her or it) and not me?  The reasons are there: 1) luck, 2) perseverence, 3) previous success, 4) connections, 5) maybe I just don’t get it.

Then there’s the flip side.  If this putz can gsell, I can, too.  It’s a reminder that success is 98% perspiration (and that stinks).  So reading some schlock can give me a boost of hope even as it knocks down my self esteem.

What made me think of this?  Christopher Paolini.  Nice enough guy as far as I can tell, one of my students is obsessed with him, but he needs a good editor with sharp scissors.  At least he needed it in Eldest, his second novel.  I enjoyed Eragon enough to buy Eldest.  I even enjoyed the story enough to buy Brisingr (gesundheit).  I did not enjoy it enough to get past page 2 of…that third book I can’t pronounce.

I think Paolini summarized my concern himself in Eldest when — on about page 300 — a character observes how lucky they are to have traveled from wherever to wherever and nothing happened.

reddragon3head**By the way, [SPOILER ALERT!!!]**

I further had issues with the protagonist’s efforts to become a worthy dragon rider by learning combat from an elf despite a serious injury that limits him physically and causes constant pain.  This training occurs intermittently while subtle relationships in the story are hinted at but never truly developed.  Of course the training helps him to improve, but he can just barely go through the motions.

Then it happens, some fancy dragon festival where ghostly dragons emanate and heal the protagonist of his wounds.  Yes, all of them.  Because he struggled so hard?  No.  Because he was innately worthy.  Wasn’t he innately worthy before a bunch of pages and my personal hours were wasted on combat training?  I suspect he was.  The character succeeds through the entire book despite never having any breakthroughs of his own.

Not what I want in a story.  I’ve been rejected for less.  But I didn’t self-publish a book that was successful enough to be picked up by a major publisher.  Will I one day?  Maybe.  Then some other wannabe can complain about my schlock on his blog.

-Oso

Truly Useful Posts

Every now and then I post something I think people might actually find useful rather than just entertaining or informative about me.  I’m going to try to maintain a list of links to those useful posts on the right side (with all my other exciting links).  Just another service I provide.  If you see a post that belongs in my “useful” list, leave a comment and I’ll add it.

-Oso

Nice things

I had a nice comment or two from a Baen’s Bar user named Rad.  Some minor hunting revealed him as a Clarion 2007 graduate (yes, the one whose two year old blog post freaked me out the other day).  It’s nice getting compliments (even vague, keep-at-it compliments) from writers who have already passed the stage of their careers that I am in.  Did he say I was brilliant?  No, of course not.  I did once have an editor say I was brilliant (or did something brilliant) only to not print the story.  That sucked.  But he said I “…have more going than most.”  Not glowing, but nice.

It was especially nice after the painful critique he just gave “Leech Run” in the slush.  Ouch.  It was good stuff, a very in-depth critique not terribly dissimilar from what I strive for through Critters.  But any time someone uses the words “Please no!” repetitively in relation to your story, it stings.  He had a point, that I had overdone the headcounting.  His advice helped my rewrite, but I have written myself into a corner (or a middle, if that’s possible) where I need to gut a small section and rework it, probably building in more action.

Anyway, it was nice of Rad.  (You can look up his real name yourself the same way I did, but you have to be a Baen’s Bar member.)

-Oso

My to-do list

My first order of business is to keep myself busy so I don’t go mad waiting to hear from the Clarions.  Sure the application deadline is past (or will be in a few hours), but they still need to review last minute applications, compare scores on all the applications, select their top 18-20 as well as an alternate list, then decide when to start contacting people.  I will be shocked if I hear something this week.  That doesn’t mean I’m not holding my breath each time I check my caller ID.

So how do I keep busy?  Writing, of course.  I’m still trying to finish up my second version of “Leech Run” for Baen’s Universe, not that I’m terribly optimistic about it getting picked up.  If it doesn’t (I’m not giving up all hope), I’ll set it aside until the workshop (I am still overly optimistic about that, in spite of myself) since it should be the first of my stories to be analyzed by the masses there.  (It could be “Glow Baby” if I end up in San Diego, but I digress).  Regardless, I don’t expect the rewrite to take more than another day or two.

I decided my next project will be to run with my woman-warrior story, as yet untitled but the file is saved under Kree.doc since Kree is the name of the alien race.  Before I go too far, I need to read The Science of Aliens, which is sitting on my bookshelf.  It will give some hard science credibility to my aliens and my story in general.

This project will probably take a few weeks at least.  I won’t be surprised if I get distracted by another project before I finish, but I’m trying not to do that.  If I get stuck, I’ll try to brush out another story for young readers, something under 2k words, so I can get back to the serious story.  I have a lot of emotion, intrigue, and social commentary planned for this one.  It may be tough, but I bet it comes out good…for me.

Anyway, that’s my to-do list for the next few weeks.  I’ll likely know about a Clarion before the Kree story is done unless I hit an unprecidented rhythm.  *sigh*  Time to get to work.

-Oso

A couple quick odds and ends

The neat thing about having a story in the BU slush at Baen’s Bar is the chance to rewrite a story based on the feedback it receives, then just toss it back out there.  I’ve been rewriting “Leech Run” based on some fairly harsh criticism, much more to the point than Critters has ever been.  I am fairly happy with the rewrite except for the one transition paragraph I need to rework to get rid of the lies.  (I didn’t mean to lie, but the story flowed better that way.)  I hope to have the rewrite posted there Monday.

While exploring other writer’s blogs, I discovered a post from someone exclaiming his delight at being selected for the Clarion workshop.  I was a bit dejected seeing as I haven’t heard anything yet and the submission deadline has not quite arrived.  It got me very nervous, twitchy.  Then I reread the post and discovered it was from two years ago.  😐  It felt sheepish.  I hadn’t realized how much I was counting on being accepted.  I may not be and I know it.  I just need to receive my official verdict so I can move on with planning my life…or at least my summer.

That’s all for now.  More soon.

-Oso

New look, same old Oso

I’ve just updated my look, adding a small but pleasant list of SF markets including links to home pages and to submission guidelines.  I’ve started with some zines I know and love; some have printed my stuff, others have wasted trees on the rejections they send me.  I plan to add to this list periodically.  Use these links as much as you like.  For a more thorough listing of markets, try the Duotrope link.