A few flash fiction markets

I am doing a Flash Fiction panel at OmniCon, so I thought I should post some flash market links.  This list is by no means complete and does focus on genre fiction.  For a more thorough search, try duotrope.com.

Daily Science Fiction: (SF & F) They run flash (loosely defined) Monday through Thursday and a longer story on Friday o get you through the weekend.  And they pay 8 cents a word, good money for fiction, but it’s free to get the stories emailed to you and/or read them online.

Analog: (hard SF) Their “Probability Zero” section is flash fiction.

Beneath Ceaseless Skies: (F) A very well respected fantasy zine that buys flash.

Every Day Fiction: (SF/F/H) This is run by a friend of mine and has bought a few stories from me.  Low pay but a lot of readers.  Read it online for free.

Flash Fiction Online: (SF/F/H) All flash, all the time.

10Flash: (check issue themes) 10 themed flash stories per quarter.

Abyss & Apex: (SF & F) A well respected semi-pro zine that buys flash.

Untied Shoelaces of the Mind: (SF/F/H) Buys stories 2000-words or less.  They bought my Pied Piper/zombie story “Not Rats” for their anthology, so I wanted to include them.

There are lots more out there, and new ones seem to pop up regularly.

 

My OmniCon Schedule

Here’s the list of panels I’ll be on at OmniCon.  All panels last one hour, except “Meet the Authors” which is slated for an hour and a half because there are quite a few of us.

Sat Mar 17, 2012

  • 11am   Flash Fiction w/ Bennie Grezlik
    • Programming 1
  • 12pm  Lunch at Spankies (not a panel, but a must!)
  • 2pm   History of Zombies w/ Marina Sergeyeva
    • Programming 1
  • 3pm   Colonizing Space w/ Marina Sergeyeva, Chris Berman, & Gregg Overman
    • Programming 1
  • 5pm   Meet the Authors w/ all the author guests
    • Main Programming

Sun Mar 18, 2012

  • 12pm   Women Warriors w/ Chris Berman
    •  Programming 1
  • 3pm   Beginning Writers w/ Bennie Grezlik
    • Programming 1
  • 5pm   Science in Science Fiction w/ Gregg R. Overman & Bennie Grezlik
    • Programming 1

OmniCon 2012, Cookeville

Top ten reasons to go all the way to Cookeville, TN for a little convention called OmniCon 2012:

10) Admission is only about 10 bucks.

9) Cosplay.  If you know what that is, you’ll probably want to go.  If you don’t know, you should go to find out.

8) The Bradford Pears are blooming, so Tennessee Tech campus should be gorgeous.

7) Voice Actors.  The featured guest Jason C. Miller and the special guest Lauren Landa are both voice actors (among other talents).  There’s a good chance you’ve heard them somewhere before.  If voice acting seems interesting (and who doesn’t want to get paid to come to work in pajamas and talk into a microphone), this could be your opportunity to learn more.Voice Actors.  The featured guest and the special guest are both voice actors (among other talents).  There’s a good chance you’ve heard them somewhere before.  If voice acting seems interesting (and who doesn’t want to get paid to come to work in pajamas and talk into a microphone), this could be your opportunity to learn more.

6) Spankies for lunch.  I made sure my Saturday schedule allowed me to get my garlic bread fix and a Reuben.  And…maybe a beer?  The best in campus dining just a short walk from the University Center (where the con is held).

5) Bands.  Do I know these bands?  No, but they are definitely bands.

4) No booze in the University Center.  Wait, weren’t these supposed to be reasons I SHOULD go?  Yes.  The 21+ crowd can still partake at local bars like Spankies (see #7 above), but the underage bunch and a lot of other people don’t need to be exposed to it, do they?  Do the ladies deserve to have some drunken oaf slobbering on them all weekend?  Of course they don’t.  OmniCon is a reasonable place for people of all ages to come and share their love of science fiction, fantasy, horror, paranormal, gaming, etc.

3) The panels.  History of Zombies, My Little Pony, NaNoWriMo, Finding Bigfoot, So You Want to Be a Ghost Hunter, Learning Japanese from J-Pop Culture, LARPing 101, and lots more.  There’s a big Meet the Authors panel too that appears to be sufficiently unscripted to be quite amusing.

2) Small cons are more intimate than big cons.  Can you really get face time with anyone at DragonCon?  Heck no.  Besides, every viable connection I’ve made has come from small cons.

1) Isn’t it obvious?  ME!  I’ll be doing somewhere between 3 and six panels.  For sure there’s the Flash Fiction panel, the Beginning Writers panel, and the big Meet the Authors panel.  I will either participate in or attend the History of Zombies, Science in Fiction, and Colonizing Space panels.  And who’s more interesting (and humble) than me?

So come to OmniCon!  It’ll be fun.  And what better reason is there than that?

Experimental Writing

I went to an art museum today, the Frist Center in Nashville.  (You, Scott?  Really?)  Yes, really.  I went with some friends.  The main exhibit was nice.  Maybe I’ll write more on my impressions of that later on.  But there was also a secondary gallery, “Fairy Tales, Monsters, and Genetic Creativity”.  Now that sounded right up my alley.

It was…odd.  Some of the stuff was neat.  A lot of it was just weird and I didn’t get it.  Which brings me to the point: how do you know when a format that is great in your head works inside other people’s heads?

The story I just finished is written as a series of audio logs recorded by a guy who survives his space ship’s destruction.  In the beginning, the recording has a purpose and he has some recorded dialog with a shipmate.  Then his ship blows up and he’s got no one to talk to, so he just talks into the recorder. He ends up having two-way conversations with a satellite, but of course we only hear his side.

Sound tough to pull off?  It does to me.  I think it works, but I’m not sure.  I could just as easily (and more confidently) pull the story off with a 3rd person telling.  Why risk it?

I risk it because it (hopefully) makes the story memorable, unique, and brings the reader into the character’s situation more completely than a standard narrative, and in this story, sympathy is pretty much key.  The style just makes sense to me.

Messing around with narrative form is about as artsy as I usually get.  I don’t usually resort to bizarre imagery or creative dialect or subtle literary devices (all wonderful things, but not really what I do.)  Nor do I diverge from mainstream storytelling techniques often.  I like to play in this medium.

  • “ZFL” is 100% dialog, no attributions or anything. (Every Day Fiction)
  • “Leech Run” steps out of Titan’s PoV for only a few seconds in the entire story, but the scene refused to be written any other way.  (Zero Gravity anthology and Escape Pod)
  • S.R. alternates between first person perspective and an instant messenger style. (Perpetually unsold despite being what I consider one of my best.)
  • H.P. alternates between third person narrative and tweets. (Not sent out; needs new ending but I haven’t gotten back to it.)
  • The narrator in T.W.H.D.o.t.G.M.P. erases the fourth wall and talks directly to the reader for (allegedly) comedic effect.  (unsold)

Those are a few examples off the top of my head.  Nothing earth shattering, but a definite trend to tinker with delivery.  It’s good to experiment.  How else will you know what doesn’t work?

Writing on a deadline

Well I finally finished that steampunk story I’d been working on and sent it to the editor.  Why did it take so long?  Maybe because I’d never written steampunk before.  Maybe because there was a flaw in the story line (which has now been fixed).  Or maybe that’s just how I handle deadlines.  I sent the story on the day I was told it was needed.  I really couldn’t have sent it any earlier because the ink on the first draft was still wet (metaphorically speaking).  I did an oral read-though to catch technical issues, fixed a few bugs along the way, and sent it off.

Don’t get me wrong, this was as polished a story as I send out to any other market.  When it’s finished, you send it.  But why so close to the foul line?

At least I’ve now written on a deadline that wasn’t self-imposed, so I can do it.  That’s something.  And now I’m on another deadline, this one a space sci-fi story due at the end of this month.  I’ve been itching to write this one, probably because I needed to be working on the steampunk story so of course this one wouldn’t stay out of my head.  I’ve started it, getting a good 900+ words today, plus a full outline.  (You wrote an outline?)  Yes, I did.  Thank you, Scrivener!  I’m hoping to have this one done early, say this time next week.  It’s a shorter story, so it could happen.

I should mention that I violated one of the guidelines for accomplishing a deadline write.  “They” say you should write forward, push the story ahead so you have a story to edit later.  I tried and completely stalled out on it.  I had to go back to the beginning and read what I had to figure out why things weren’t working.  As it turned out, I forgot some key details and had to change a few others that weren’t working.  If the problem with a story is continuity-related, sometimes backtracking is useful for getting the story moving ahead again. 

History in other life roles suggests I can work well on a deadline, but right now my school schedule is a bit too confining to make that a regular reality for my writing.  But that doesn’t mean I’ll be turning down invitations with deadlines attached.  Keep ’em coming, editors!

 

 

It must be close to Clarion response time again

Welcome, all you twitchy Clarion and Clarion West candidates linking here while you fret over the opportunity to play writer for six weeks.  I know what you’re going through.  I’ve been there.  And from the statistics of which posts are getting the most reads, you’re all doing the same thing I did to cope with the stress of waiting: seeking out every tidbit about the workshop you can possible squeeze out of the internet.

Not a very effective stress management technique, is it? I think it just stressed me out more.  It’s like a drug; you feel a little better when you get some but it ultimately just makes you want more.  So here are my healthier strategies for dealing with the wait for Clarion responses.

  • Write something brand new.  Start a story today with the intention of finishing it before you get that phone call (or heaven forbid, that email…or is everything conducted by email now?).  You’re a writer so you can do it.  It might be worth while to make this something outside your strong suit to brush up some skills.  That way, in or out, you have a new story to market when you’re done.
  • Make sure everything you’ve ever written is in a slush pile somewhere.  You have been sending your stuff out, right?  If you’re in, you want to be able talk about your latest sales.  If you’re out, you want to be able to take comfort in the sales you make.  You can’t do either with those stories sitting in a drawer.  Even stuff you already sold can be subbed to reprint markets.  I’ve sold 3 reprints recently and I’m not exactly the hottest selling author on the planet.  I might not be the hottest seller in my hometown.  Get that stuff out there!  And if you’re like me, it takes an hour or so to choose a market, prep the story for specific guidelines, and get the thing sent (snail or electronic).  If you have any backlog at all, this can make a great distraction.
  • Spend some quality time with the people you’ll miss if you go.  Six weeks is a long time and someone (spouse, child, boy/girlfriend, mother, dog…) will miss you terribly while you’re writing your summer away.  Go to the zoo.  Okay, the zoo might be cold this time of year, maybe even closed, but…do something worth remembering.  They deserve it.
  • Read stuff by the instructors.  I’m not particularly well-read so I had to do some research to know who these people were.  Beyond their Wikipedia page, I also wanted a taste of their writing.  Wow, some of it blew me away the years I was applying.  And do you CW applicants really need an excuse to read some George R.R. Martin?  Or do you San Diego hopefuls think you could possibly have read all of Ted Chiang’s great short stories?  Go read.

I tried all these things while I was waiting on that Clarion Call.  Ultimately they helped, but I still trolled the internet for every possible “Clarion” reference Google or IceRocket could cough up.  That reply will come.

For what it’s worth, acceptance never came for me.  Waitlisted once, but never attended.  (Placing in Writers of the Future softened the blow.)  I can tell you that my career isn’t exactly on the fast track, but I’m doing all right.  Rejection isn’t the end.  So good luck (that’s a big part of it, luck) and don’t give up.

Oh, and you can check out my Workshop page.  If you find any dead links there, let me know.

How do I miss these things?

I guess I hadn’t sufficiently Googled myself in a while, but a search of leech run” baker turned up some interesting things. This one is an analysis of the theme of “Leech Run” as it relates to identity. Profound? Not really, but it was never designed to be a profound story. Then there’s this Science Futures article inspired by “Leech Run” and published through Escape Pod. Neither of these are new; I need to Google myself more often.

Speaking of Escape Pod, they have just offered to buy another story.  “Chasers” was originally in Triangulation 2004 back in…well, in 2004.  It has a similar narrative style to “Leech Run” so I thought they might like it.  Apparently I was right.  No clue when it comes out; watch here for details.

Toy!!

I just bought the latest Palm version of Dragon naturally speaking. I’m going to try to compose this blog post with just the software. I am not correcting any errors. For instance, the word Palm should have been the word home so it’s not perfect. Eventually, I hope for it to type my punctuation, at least in part, all on its own. Right now I have to say the words to get punctuation. I wonder if I can get it to type the word.. I guess not.

All in all, it doesn’t seem to be too bad. It’s kind of neat. I’m sure I’ll have to do some correcting, but I hope to do some writing with this. It keeps trying to make words out of my breathing. I suspect that’s related to the microphone or my positioning of it. I’ll figure it out. Or maybe I should stop breathing altogether.

If you have experience with Dragon voice recognition software and you have some tips, post them here. I really like how I can undo things. Oh look, it types the word quote undo. HMM… I’ll have to figure out how to do”. Scratch that, I guess I’ve got it now. Looks like the learning curve on this one is going to be a lot of fun.

I just bought the latest Palm version of Dragon naturally speaking. I’m going to try to compose this blog post with just the software. I am not correcting any errors. For instance, the word Palm should have been the word home so it’s not perfect. Eventually, I hope for it to type my punctuation, at least in part, all on its own. Right now I have to say the words to get punctuation. I wonder if I can get it to type the word.. I guess not.

All in all, it doesn’t seem to be too bad. It’s kind of neat. I’m sure I’ll have to do some correcting, but I hope to do some writing with this. It keeps trying to make words out of my breathing. I suspect that’s related to the microphone or my positioning of it. I’ll figure it out. Or maybe I should stop breathing altogether.

If you have experience with Dragon voice recognition software and you have some tips, post them here. I really like how I can undo things. Oh look, it types the word quote undo. HMM… I’ll have to figure out how to do”. Scratch that, I guess I’ve got it now. Looks like the learning curve on this one is going to be a lot of fun.

Full disclosure, I dictated this in Word first and copied it into this blog post. This is really the first thing I’ve done with it. I suspect some corrections will be easier to do by hand, while speaking others will be just fine. Before I go, let me try something just for fun:

 

& plus + — – –-?\Parentheses ()**pound #act@!! Exclamation free the re-three (ah, there’s the three) number three 3 that did it = words = $% ^’ Sam; 🙂 oh suite, that worked. Okay enough of that. Watch for the Dragon tag on my posts to see how this goes.

Toy!

Full disclosure, I dictated this in Word first and copied it into this blog post. This is really the first thing I’ve done with it. I suspect some corrections will be easier to do by hand, while speaking others will be just fine. Before I go, let me try something just for fun: & plus + — – –-?\Parentheses ()**pound #act@!! Exclamation free the re-three (ah, there’s the three) number three 3 that did it = words = $% ^’ Sam; 🙂 oh suite, that worked. Okay enough of that. Watch for the Dragon tag on my posts to see how this goes.

Toy!

The Post-Con Hangover

I might have consumed a few beers this weekend at ChattaCon, but that’s not the kind of hangover I’m talking about.  The return to reality bears a pain and drudgery no amount of hydration or aspirin can combat.  Life moves on after a Con, whether we’re ready for it or not.

I have a mountain of work to do for school and here I am typing a blog entry.  The thought of real work is so painful, though.  Why can’t my work be hobnobbing and talking on panels and browsing dealer rooms?  Well for one, that’s not work.  None of those things pay the bills.  Writing might one day pay some bills, but being at a con isn’t particularly conducive to writing, either.  Reality comes for us all.  Here are some tips for how to survive the painful transition between the con and the real world.

  1. Catch up with work before the con starts.  Coming back to a pile of tests that need grading or files that need updating or invoices that need invoicing just makes it that much harder to dive back into work.  Moving forward is easier.  I bet you took the time to get your costume ready or compile a stack of books that need autographing or to fine tune your Halo strategy; apply the same kid of effort to catching up the job-type-job and you’ll be a happy worker Monday morning.  Well, happier.  (No, I did not do this.)
  2. Go to bed early Sunday night.  As long as the commute isn’t standing in the way, get thee to a bed.  You’re probably sleep deprived and an extra hour or so will do you wonders.  Getting out of bed may still feel like pushing a rope, but it’ll be easier to get back up to speed.  (No, I didn’t do this, either.)
  3. Wake up earlier than usual Monday morning.  That sounds counter-intuitive, but the extra prep time will be useful as you stare at the showerhead and remember the cools pipes and nozzles on those steampunk costumes or you eat your oatmeal and wish you had one of those stale con-suite donuts to go with it.  (I’m 0 for 3.  This may just be a list of things I wish I had done.)
  4. Buy a souvenir.  A tee shirt, a book, a costume component, a bauble…something to remind you of the con experience.  It makes the experience concrete and shows that you got something you wanted out.  Otherwise you’re likely to sit and pine over how you wasted the moment and want to go back and try again, like that time you didn’t kiss what’s-her-name.  Seriously, this can help.  Just don’t catch yourself staring into your dragon snow globe like some mesmerizing crystal ball trying to relive the con.  (Ooh, I did this one!  A Fireflly Venn diagram shirt.  Very nerdy.)
  5. Suck it up and get back to work.  That is a tip but also a directive to myself, right now.  Cons are great, but like any recreational drug, they should be used with caution.  (This was a metaphor.  Drugs are bad, m’kay.)

Now on to lesson plans.  😦  Wish me luck.

Scott Who?

I’m starting to get a fair number of hits on this page through links from Con pages, so I bet people are trying to figure out who I am.  I probably need to update my “About Me” page, but here’s the not-so-skinny on who I am.

I write science fiction and fantasy under the name Scott W. Baker, but no one ever seems to include my W.  Not sure why that is.  There are other Scott Bakers (and of course Scott Bakker) out there writing and I don’t want to be them.  But don’t call me W; I don’t want to be George Bush either.

My claim to not-quite-fame is my story “Poison Inside the Walls” which placed in the 26th annual, international Writers of the Future contest and was published in the related anthology.  Since then, my fiction has appeared in Escape Pod, Daily Science Fiction, and other fun places.

What do I write about?  I’m all over the place, really.  Civilizations in space, space pirates, zombies (not in space…yet), time travel, aliens, paranormal events, military sci-fi, distopias, near future, farcical comedy, serious moral dilemmas…  Yeah, I cover the spectrum.  You can get a better taste by looking at my bibliography.

No, I have no published novels at present.  No, there are no novels immediately forthcoming.  Yes, I do have novels in the works, but who doesn’t?  When I get a novel finished, blog readers will be the first to know.

When not writing, I teach high school math.  I have a beautiful wife and a brilliant daughter (adjectives interchangeable).  I have a dachshund, a mutt, and the same cat in two different sizes.  I wear Hawaiian shirts — especially at cons.

So that’s me.  If you need to know more, don’t be afraid to ask.  And I’ll see you at the cons!